Ophelia’s Bracelets | Rebecca Pyle

Ophelia owns them—-
A brace of bracelets, an
Alphabet of exploration.
Like boats looking as if they are
About to go over
The edge of
Oceans. Never-return. Bracelets
Were Ophelia. And still are—-
Full circle belonged to queens. Shakespeare himself had
One, Elizabeth the first, who sent Sir Francis Drake around the globe
To circumnavigate. He did. She sent Sir Walter Raleigh to make
Quickie loops between England and Virginia, to make colonies.
He tried. Then in the last years of Elizabeth, Shakespeare and his
Men brought their Globe theater
To Elizabeth, to her rooms, and there put on Hamlet.
(Celebrating Hamlet who circumnavigated, also: Hamlet
Circumnavigated his mother.)
Fairy tales begin with circles, that letter O:
Another old story began with O.
There is a part of a man’s body called the corona, or crown
If you insist. And when we insist upon leaving our
Mothers, we crown at birth, leaving
Through
Insisted circle.
Hamlet’s story also ended with an O:
The last one left to tell the tale: Horatio.
But Ophelia was a colony, her ratio and rations
Dwindled circles,
She must have
Bound her wrists, with their
Blue half-secret rivers of blood
With wound ripples of reeds—-bindweed, too—
Fairyland mumble of rue, willow rumpuses
Must have circled her
Wrists—like
Hamlet’s disappearance of grip.
Leafing and releafing promises,
That’s how Hamlet drove her mad and how even
Hamlet was driven mad: each promise
Slipping around the corner of the earth like boats.
Intent for stores of bargaining spices, defiant salt,
Dust between barrels proof of travel:
But coming back stocked
With madmen, penguins dying,
Trees with carved desperate directions
That never led to Roanoke;
Salt depletion, all the fruit
Pretty on a Thursday
Gone to a perfection of rot.
Refusing the cold ocean men fight about,
The cold wells dug for women,
Ophelia turned to what
Could hold her pretty in
Her death—-she would have her revenge,
A stream,
A river, with her hair like braiding
Echoes
Chasing each other,
As in the beauty of branches, of trees.
The promise of continuation:
Hamlet was bright,
He had nimble shoes,
He would
See that mockery of continuation:
The stream going on,
The branches growing on,
The trees going on,
The day,
The pretty night,
But not Ophelia.
And his promising bracelets—
They return round back to her like his laugh,
Disdain,
Returning, always,
The sarcasm of bracelets,
Because when the bend turned in the bracelet
It rounded the bend
Naïve,
It like Ophelia looked for Hamlet’s eager
Loving face: but it came back another metal:
One for prisoners:
Fresh and future grief,
Future grief,
Laughter.

 


Author : Rebecca Pyle 
Rebecca Pyle’s poetry, short stories, and oil paintings appear lately in The Bangalore Review, New England Review, Wisconsin Review, Map Literary; The Remembered Arts Journal, Requited Journal, Taj Mahal Review, Poor Yorick, and Underwater New York.
In Salt Lake City, Utah, Rebecca Pyle lives in an old gray brick house between the Great Salt Lake and the gorgeous old mountain mining town Sundance film festival takes place in each January.  She has lived also in Alaska, New York City, Kansas, and London.  She attended the university the Wizard of Oz is always in love with.  Her art website—she is an oil painter—is rebeccapyleartist.com.

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